ARTIST PROFILES
 
 

Justine Munson

Justine makes each porcelain “canvas” by hand in her Leatherhead studio, before bisque firing it. She then draws delicate pictures of flowers, butterflies and sea life onto it with a mixture of oxides before fixing the decoration with a second firing. The piece is then glazed and refired to 1250C with results in the beautiful translucency and amazing strength of the finished work.

Justine is a graduate of Central St. Martins School of Art. She is a member of The Sussex Guild, and the Surrey Guild of Craftsmen.

 

Bob Crooks
Bob Crooks’ work is hand-made, no moulds are used. Because of this, no two pieces are alike, but the skill of the glassmaker ensures that pieces can be similar. His work is a “reaction” against the boring factory made glassware, against re-vamped ideas that date back decades and are so bland". He tries to exploit the many properties of glass through refraction, sharpness, distortion, reflection and softness, working with its fluidity and freezing the glass as a desired form is realised. The new production range has been designed to be refreshingly different and modern, still using the traditional glassmaking skills. Each piece is individually signed. He has exhibited widely both in solo and group shows. These include Contemporary Applied Arts, London; Christies Contemporary Art; Crafts Council, London; Lane Crawford, Hong Kong; Shanghai, China. Commission range from wine bars to exclusive glass ranges for the Victoria & Albert Museum, London. All Pictures of Bob Crooks work in the site are by Ian Jackson

 

Carolyn Genders
Living in the country I cannot ignore the seasons and the consequent transformation of the landscape throughout the year. This influences my work and referring to landscape studies in my sketchbook and the marks and brushwork of my life drawings, I work intuitively on forms developed from organic sources. Responding to the material, enjoying the rhythm as I move around the form, I make marks of depth and variation, scratching and scraping through layers of slip, revealing the clay and emphasising the dryness of engobe or the softness of burnished slip; the silky surface emerging as polished as a sea worn pebble. I work spontaneously, creating forms and surfaces that evoke the feeling I have when I am part of the landscape, not illustrating it but striving to convey nuance of shape, balance and mass and creating mood and atmosphere.

 

Carolyn Genders
Living in the country I cannot ignore the seasons and the consequent transformation of the landscape throughout the year. This influences my work and referring to landscape studies in my sketchbook and the marks and brushwork of my life drawings, I work intuitively on forms developed from organic sources. Responding to the material, enjoying the rhythm as I move around the form, I make marks of depth and variation, scratching and scraping through layers of slip, revealing the clay and emphasising the dryness of engobe or the softness of burnished slip; the silky surface emerging as polished as a sea worn pebble. I work spontaneously, creating forms and surfaces that evoke the feeling I have when I am part of the landscape, not illustrating it but striving to convey nuance of shape, balance and mass and creating mood and atmosphere.

 

Carolyn Genders
Living in the country I cannot ignore the seasons and the consequent transformation of the landscape throughout the year. This influences my work and referring to landscape studies in my sketchbook and the marks and brushwork of my life drawings, I work intuitively on forms developed from organic sources. Responding to the material, enjoying the rhythm as I move around the form, I make marks of depth and variation, scratching and scraping through layers of slip, revealing the clay and emphasising the dryness of engobe or the softness of burnished slip; the silky surface emerging as polished as a sea worn pebble. I work spontaneously, creating forms and surfaces that evoke the feeling I have when I am part of the landscape, not illustrating it but striving to convey nuance of shape, balance and mass and creating mood and atmosphere.

 

Carolyn Genders
Living in the country I cannot ignore the seasons and the consequent transformation of the landscape throughout the year. This influences my work and referring to landscape studies in my sketchbook and the marks and brushwork of my life drawings, I work intuitively on forms developed from organic sources. Responding to the material, enjoying the rhythm as I move around the form, I make marks of depth and variation, scratching and scraping through layers of slip, revealing the clay and emphasising the dryness of engobe or the softness of burnished slip; the silky surface emerging as polished as a sea worn pebble. I work spontaneously, creating forms and surfaces that evoke the feeling I have when I am part of the landscape, not illustrating it but striving to convey nuance of shape, balance and mass and creating mood and atmosphere.

 

 

IN THE WINDOW

 photo
Title:  Black and White Vase
 POA
 
Description:
Glazed Porcellain
Artist: JustineMunson 
 
 
 photo
Title:  Pi Bowl
 POA
 
Description:
Handblown glass vase
Artist: BobCrooks 
 
 
 photo
Title:  Spring Delight
 £2,400
 
Description:
Ceramic vessel 33hx42x24
Artist: CarolynGenders 
 
 
 photo
Title:  Summer Sunshine
 £1,800
 
Description:
Ceramic Vessel 31hx34wx26d
Artist: CarolynGenders 
 
 
 photo
Title:  Tribute to Hitchens
 £3,200
 
Description:
Ceramic sculptural form 59x25x21
Artist: CarolynGenders 
 
 
 photo
Title:  Forest Fires
 £2,400
 
Description:
Ceramic sculptural form 59x24x16
Artist: CarolynGenders 
 
 
 

 

Cecilia Colman Gallery 67 St Johns Wood High Street London NW8 7NL - 020 7722 0686